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No seventeenth-century poet was more popularly read or imitated than George Herbert, and none represents the lyric implications of the Christian narrative more fully, with the possible exception of Milton. There is therefore a growing perception that George Herbert deserves to be placed more in the mainstream of literary history and that romanticism and modernism are not exclusively post-Milton phenomena. As one of the centers of new historicist interest, The Temple has of late been seated in the context of church controversies, Reformation thought, and the politics of the 1620s....

This is an analysis of the literary art of recapturing the past as the artist perceives it. By clearly distinguishing different ways of creating a past--in fiction, history, and other arts--Toliver enriches our understanding of literary strategies.

The Past that Poets Make examines such questions as how a fictional narrative differs from other ways of seeing a past time; to what extent literature is nontemporal, transcending its time, and to what extent it is tied to the institutions and traditions of its era; how given works conjure up a sense of time; and how fictional...