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In this book, Harold Hellwig analyzes film noir, outlining the major genres which it includes: the city and the detective; science fiction, the Western; and comedy. Elements of American film noir and its contexts are evaluated within different adaptations in film and television.

This critical study focuses on Twains representations of time, place, and identity in the travel works Roughing It, A Tramp Abroad, The Innocents Abroad, Life on The Mississippi, and Following the Equator.