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Gadamers kurzer, aber äußerst einflussreicher Text weist in das Zentrum seiner Theorie: Er bildet die wichtigste Vorstufe seines Hauptwerks Wahrheit und Methode (1960): Hier skizziert Gadamer den Ansatz seiner neuen philosophischen Hermeneutik, die versucht, den historischen Objektivismus des Historismus und die romantische Hermeneutik (v. a. Schleiermacher) zu überwinden.
Der Band zeichnet Argumentationsgang und Fortleben des Textes nach und bietet eine hilfreiche Einführung in Gadamers Gesamtwerk.

"'Atemkristall' ist der erste Zyklus des Gedichtbuches 'Atemwende', das 1967 im Suhrkamp Verlag erschien. Gadamer sieht in diesem Zyklus einen »Höhepunkt der Celanschen Kunst«; er versucht, ihn real interpretierend und kommentierend zu entschlüsseln und darzustellen."

Ethics and Aesthetics in History collects together Gadamer's most important untranslated writings on ethics, aesthetics and language.

With a substantial introduction by the editors exploring Gadamer's ethical project and providing an overview of his aesthetic work, this book collects Gadamer's writings on ancient ethics, including the moral philosophy of Aristotle, and on practical philosophy. In the final section, Gadamer's writings on art and language are collected, including his examination of poetry, opera and painting among other art forms, and such topics as artistic...

Truth and Method is a landmark work of 20th century thought which established Hans Georg-Gadamer as one of the most important philosophical voices of the 20th Century. In this book, Gadamer established the field of 'philosophical hermeneutics': exploring the nature of knowledge, the book rejected traditional quasi-scientific approaches to establishing cultural meaning that were prevalent after the war. In arguing the 'truth' and 'method' acted in opposition to each other, Gadamer examined the ways in which historical and cultural circumstance fundamentally influenced human...

A philosophical and historical testament to the twentieth century, this volume consists of a wide-ranging series of interviews conducted in 1999/2000 between the then centenarian and his former assistant and associate of over thirty years, Riccardo Dottori.

These ten dialogues distill and situate Gadamer's philosophy in the context of what has arguably been the bloodiest century in human history. In the course of the interviews, Gadamer addresses-often critically-the work of a wide variety of philosophers, including Heidegger, Nietzsche, Jaspers, Popper, Vico, Habermas, Rorty, and...