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Salvador Dali's Art and Writing, 1927-1942 examines the evolution of Dali's art during the 1920s and 30s, when he was associated, first with the Catalan avant-grade, and then with the Surrealist group in Paris. During this period, Dali's painting style changed radically, a phenomenon that has never been fully accounted for in the extensive literature on this subject. Haim Finkelstein's study is the first to examine these writings in detail as the foundation for the evolution of Dali's unique artistic vision.

An interrogation of the notion of space in Surrealist theory and philosophy, this study analyzes the manifestations of space in the paintings and writings done in the framework of the Surrealist Movement. Haim Finkelstein introduces the 'screen' as an important spatial paradigm that clarifies and extends the understanding of Surrealism as it unfolds in the 1920s, exploring the screen and layered depth as fundamental structuring principles associated with the representation of the mental space and of the internal processes that eventually came to be linked with the Surrealist concept of...

An interrogation of the notion of space in Surrealist theory and philosophy, this study analyzes the manifestations of space in the paintings and writings done in the framework of the Surrealist Movement. Haim Finkelstein introduces the 'screen' as an important spatial paradigm that clarifies and extends the understanding of Surrealism as it unfolds in the 1920s, exploring the screen and layered depth as fundamental structuring principles associated with the representation of the mental space and of the internal processes that eventually came to be linked with the Surrealist concept of...