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Picture theories are today a subject of broad interest to scholars, for the relationship between concept and picture, between thought and viewing, is among the commonest themes of the history of European thought, and already in Antiquity a multitude of solutions to the problem were discussed. The aim of this book is to elucidate the peculiarity of the relationship between viewing and concept analysed by Plato and Aristotle; to compare the theories of art and poetry initially conceived about 300BC, and which reached full development under the Roman Empire; and to expound modern concepts of...

'The literary form is the true contents of Plato's dialogues' - This thesis has heralded a new direction in Plato research over the last 25 years, particularly among Anglo-American scholars. This book discusses this modern thesis and its claim to mark a revolutionary turn from traditional interpretations of Plato, which since the Ancient Neo-Platonists have read Plato in a dogmatic fashion and neglected the form of his philosophy. Here, the interpretations by Proclus, the most significant Neo-Platonist since Plotinus, of the literary form of Plato's philosophy, are presented in detail for...

What is the tragic in Euripides' Bacchae? A nowadays predominant view sees it in the self-reflexion of the genus 'tragedy' and the medium 'theatre': The presence of the theatre god Dionysos on stage turns the tragic of the Bacchae into metatragic. In contrast, by carefully scrutinizing the premises of structuralist methods applied and by interpreting the complete text of the play, Gyburg Radke reads the Bacchae as a 'textbook example' of an Aristotelian tragedy evoking fear and pity, in which the combination of the individual character of the protagonist Pentheus...