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Dieses Lehrbuch stellt eine Einfuhrung in die noch junge Disziplin der Musikinformatik dar. Es beginnt mit einer Ubersicht uber die gegenwartige Entwicklung der Musik aus der Wechselwirkung zwischen Technologie und Komposition. Darauf aufbauend werden Kodierung und Programmierung musikalischer Objekte fur Komposition, Analyse und Interpretation besprochen, sowie Standards und Darstellungsmethoden, wie: MIDI, Musik-N, Fourier, FM, Wavelets, Physical Modeling und Denotatoren. Eine vertiefte Diskussion erfahrt dabei der FFT-Algorithmus und naturlich das Kompressionsverfahren MP3.

This book is a first sketch of what the overall field of performance could look like as a modern scientific field but not its stylistically differentiated practice, pedagogy, and history. Musical performance is the most complex field of music. It comprises the study of a composition's expression in terms of analysis, emotion, and gesture, and then its transformation into embodied reality, turning formulaic facts into dramatic movements of human cognition. Combining these components in a creative way is a sophisticated mix of knowledge and mastery, which more resembles the cooking of...

This book is a first sketch of what the overall field of performance could look like as a modern scientific field but not its stylistically differentiated practice, pedagogy, and history. Musical performance is the most complex field of music. It comprises the study of a composition s expression in terms of analysis, emotion, and gesture, and then its transformation into embodied reality, turning formulaic facts into dramatic movements of human cognition. Combining these components in a creative way is a sophisticated mix of knowledge and mastery, which more resembles the cooking of...

This book explains music's comprehensive ontology, its way of existence and processing, as specified in its compact characterization: music embodies meaningful communication and mediates physically between its emotional and mental layers. The book unfolds in a basic discourse in everyday language that is accessible to everybody who wants to understand what this topic is about. Musical ontology is delayed in its fundamental dimensions: its realities, its meaningful communication, and its embodied utterance from musical creators to an interested audience.

The authors' approach is...