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African American artists during the Harlem Renaissance were social activists, making a significant contribution to black culture and aesthetics. This book engages the philosophical discourse of Kenneth Burke and examines these artists as activists, and their works as symbols of social protest.

Using musical analogies, Gregory Clifton Smith explores the role of pastoral care, both from the point of view of performance and of music as a different form of engaging with life in extreme situations, such as war. Through the prism of music, he demonstrates the ongoing importance of pastoral care in religious communities.