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This book reopens the question of Rousseau's influence on the French Revolution and on English Romanticism, by examining the relationship between his confessional writings and his political theory. Gregory Dart argues that by looking at the way in which Rousseau's writings were mediated by the speeches and actions of Robespierre, we can gain a clearer and more concrete sense of the legacy he left to English writers. He shows how the writings of Godwin, Wollstonecraft, Wordsworth and Hazlitt rehearse and reflect upon the Jacobin tradition in the aftermath of the Terror.

Examines the Cockney phenomenon of the late Romantic period - the new metropolitan art and literature of the 1820s and 1830s.

Gregory Dart expands upon existing notions of Cockneys and the 'Cockney School' in the late Romantic period by exploring some of the broader ramifications of the phenomenon in art and periodical literature. He argues that the term was not confined to discussion of the Leigh Hunt circle, but was fast becoming a way of gesturing towards everything in modern metropolitan life that seemed discrepant and disturbing. Covering the ground between Romanticism and Victorianism, Dart presents Cockneyism as a powerful critical currency in this period, which helps provide a link between the works of Leigh...

Provocatively and congenially at home in this new collection of his city essays, the engaging late-18th-century and early-19th-century English prose writer William Hazlitt sparkles with urban wit and gossip. Characters from the Regency spring to life in these essays, including William Wordsworth and Lord Byron, sportsmen and dandies, street jugglers and footmen, and coffee house bores.

This book reopens the question of Rousseau's influence on the French Revolution and on English Romanticism, by examining the relationship between his confessional writings and his political theory. Gregory Dart argues that by looking at the way in which Rousseau's writings were mediated by the speeches and actions of Robespierre, we can gain a clearer and more concrete sense of the legacy he left to English writers. He shows how the writings of Godwin, Wollstonecraft, Wordsworth and Hazlitt rehearse and reflect upon the Jacobin tradition in the aftermath of the Terror.