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Mirrors and reflections, duplications and references: these are the guiding ideas behind the catalogue -Schaf und Ruder/Wool and Water, - which accompanies the exhibition of the same title at Kunsthalle Dusseldorf. The phrase quotes Lewis Carroll's -Through the Looking-Glass- (1871), which follows Alice into a fascinating and surreal world of doubles and mirror images. Yet the fictional space raises concrete questions concerning our own likeness in the mirror and its interpretation as well as the fascination of the self in the virtual visual realm of the looking-glass. The show also explores...

"Darwin said the greatest live simulation is nature herself, who incessantly tries and fails aloud, never stopping at perfection. But nature is often too fast, too slow, too big, too small for us. We need live simulation at scale with human spacetime, but unending in its variety and blind to our barometers of quality. A live simulation that we can feel, but does not give a fig for us," says artist Ian Cheng. Distorted views, mutated images, and varied texts are exemplary of Cheng's interest in behavioural change and the potential of working with live simulations. Live Simulations is...