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Three late prose works of the Austrian novelist and playwright Thomas Bernhard (1931-1989), published between 1983 and 1985, display a number of interesting similarities and intertextual references in form and content. They are considered here as a single, trilogy-like work, replacing the monumental Extinction (which appeared in 1986 but was completed as early as 1981/2) as Bernhard's magnum opus. Taking as its point of departure a close textual analysis, the work attempts to unveil the internal construction of the novel rather than second-guess the author and his intentions. The underlying...