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This fourth edition of our bestselling classic text has been comprehensively updated and revised to include contemporary film analysis and recent films.

With a focus on contemporary popular cinema and examples from Classical Hollywood, Graeme Turner examines the social and cultural aspects of film from audiences and ideologies to exhibition and technology.

This fourth edition now includes:

• new sections dealing with debates about spectacle and special effects
• an extended treatment of sound and its contribution to cinema
• film theory's discussion...

The Film Cultures Reader brings together key writings on contemporary cinema by leading authors in cinema and cultural studies. It focuses on film as a social and cultural practice, and on the relationship between cinema and popular culture. The Reader is divided into six thematic sections:

• understanding film
• technology
• film Industries
• meanings and pleasures
• identities
• audiences
• consumption.

The perfect companion to Film as Social Practics, key features of the Reader include the editor's introduction to each...

Television studies must now address a complex environment where change has been vigorous but uneven, and where local and national conditions vary significantly. Globalizing media industries, deregulatory policy regimes, the multiplication, convergence and trade in media formats, the emergence of new content production industries outside the US/UK umbrella, and the fragmentation of media audiences are all changing the nature of television today: its content, its industrial structure and how it is consumed.

Television Studies after TV leads the way in developing new ways of...

This fourth edition of our bestselling text has been comprehensively updated and revised to include contemporary film analysis and recent films.

With a focus on contemporary popular cinema and examples from Classical Hollywood, Graeme Turner examines the social and cultural aspects of film from audiences and ideologies to exhibition and technology.

This fourth edition now includes:

• new sections dealing with debates about spectacle and special effects
• an extended treatment of sound and its contribution to cinema
• film theory 's discussion of the representation of...

"An outstanding achievement... Graeme Turner writes with power and persuasion, and brilliantly explores what it is about celebrity today that should concern us all"
- Sean Redmond, Deakin University

"A key touchstone for celebrity studies. Turner thoughtfully illuminates the variety of production and consumption practices through which celebrity circulates today, whilst remaining sensitive to the complexity of power relations in play. An essential read for students and scholars in the field"
- Sue Holmes, University of East...

The "demotic turn" is a term coined by Graeme Turner to describe the increasing visibility of the "ordinary person" in the media today. In this dynamic and insightful book he explores the "whys" and "hows" of the "everyday" individual's willingness to turn themselves into media content through celebrity culture, reality TV, DIY websites, talk radio, and user-generated materials online.

Analyzing the pervasiveness of celebrity culture, this book further develops the idea of the demotic turn as a means of examining the common elements in a range of 'hot spots' within media and cultural...