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This book explores archival restoration, colour film technology, colour theory, and experimental film alongside beautifully saturated images of silent cinema.

We normally think of early film as being black and white, but in truth, the first color cinematography appeared as early as the first decade of the twentieth century. In this visually stunning book, the authors present a treasure trove of early color film images from the archives of EYE Film Institute Netherlands, bringing to life their rich hues and forgotten splendor.
Carefully selecting and reproducing frames from the original film of movies made before World War I, Gunning, Yumibe, Fossati, and Rosen share the images here in a full range of tone and colors. Accompanying essays...

Film archives have long been dedicated to preserving movies, and they ve been nimble in recent years in adapting to the changing formats and technologies through which cinema is now created and presented. This collection makes the case for a further step: the need to see media technologies themselves as objects of conservation, restoration, presentation, and research, in both film archives and film studies. Contributors with a wide range of expertise in the film and media world consider the practical and theoretical challenges posed by such conservation efforts and consider their potential to...

Film archives have long been dedicated to preserving movies, and they ve been nimble in recent years in adapting to the changing formats and technologies through which cinema is now created and presented. This collection makes the case for a further step: the need to see media technologies themselves as objects of conservation, restoration, presentation, and research, in both film archives and film studies. Contributors with a wide range of expertise in the film and media world consider the practical and theoretical challenges posed by such conservation efforts and consider their potential to...