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First heard with the disaterous premiere of the opera on February 20, 1816 in Rome at the Teatro Argentina, Rossini's overture, which was employed twice before as opener for the operas Aureliano in Palmira (1813) and Elisabetta, regina d'Inghilterra (1815), grew in popularity as rapidly as the opera itself - a staple of the repertoire almost since the beginning despute the premiere. As with the other overtures, this one has not been treated very well by publishers over the decades. Part of the problem stems from the composer's own manuscripts which were the product of...

First heard with the premiere of the opera on May 22, 1813 in Venice at the Teatro San Benedetto, Rossini's overture grew in popularity as rapidly as the opera - a staple of the repertoire since the beginning. As with the other overtures, this one has not been treated very well by publishers over the decades. Part of the problem stems from the composer's own manuscripts which were the product of rapid composing under pressure from opera houses. Many things which were simply assumed by performers of the era from their first appearance and applied to analogous passages weren't by those of...

First heard with the premiere of the one-act farce on January 27, 1813 in Venice at the Teatro San Moise, Rossini's overture gradually became popular though the opera itself is only rarely performed now. As with the other overtures, this one has not been treated very well by publishers over the decades. Part of the problem stems from the composer's own manuscripts which were the product of rapid composing under pressure from opera houses. Many things which were simply assumed by performers of the era from their first appearance and applied to analogous passages weren't by those of later...

First heard with the opera's premiere on October 9, 1826 in Paris' Salle le Peletier, Rossini's ballet music has grandually gained in popularity ever since even though the opera itself is only rarely perfomed now. As with the overtures, this orchestra selection has not been treated very well by publishers over the decades. Part of the problem stems from the composer's own manuscripts which were the product of rapid composing under pressure from opera houses. Many things which were simply assumed by performers of the era from their first appearance and applied to analogous passages weren't...

First heard with the opera's premiere on August 3, 1829 in Paris' Theatre de l'Academie Royale de Musique, Rossini's classic overture has been popular ever since even though the opera itself is only rarely perfomed now. Despite its tremendous popularlty, this overture has not been treated very well by publishers over the decades. Part of the problem stems from the composer's own manuscripts which were the product of rapid composing under pressure from opera houses. Many things which were simply assumed by performers of the era from their first appearance and applied to analogous passages...