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Nearly 20 years after his death, Elvis Presley enjoys the sort of cultural prominence that would be the envy of even the most highly publicized living celebrities. Elvis is everywhere, sneaking out of innumerable corners of the cultural terrain in ways that defy our common sense understanding of how dead stars are supposed to behave. This phenomenon is noteworthy, not just because Elvis refuses to go away, but because he keeps showing up in places where he seemingly doesn't belong. Drawing on a range of theoretical positions from cultural studies, this study offers a series of explanations...

This title provides a wide-ranging introduction to major issues and debates surrounding the role that the media plays in ongoing struggles around race and racism in the US today. The essays collected here come from a wide variety of disciplinary, theoretical, and methodological perspectives, and focus on a broad range of media practices, racial and ethnic populations, and historical moments.

'For a dead man, Elvis Presley is awfully noisy. His body may have failed him in 1977, but today his spirit, his image, and his myths do more than live on: they flourish, they thrive, they multiply.'
Why is Elvis Presley so ubiquitous a presence in US culture? Why does he continue to enjoy a cultural prominence that would be the envy of the most heavily publicized living celebrities?
In Elvis after Elvis Gil Rodman traces the myriad manifestations of The King in popular and not-so-popular culture. He asks why Elvis continues to defy our expectations of how dead...

Groundbreaking and timely, Race in Cyberspace brings to light the important yet vastly overlooked intersection of race and cyberspace.