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TThis revised and expanded second edition responds to new developments in the reception of Greece in contemporary popular culture, and particularly the impact of the film "300" (2006). Why, in a century of film-making, have so few versions of the story of Alexander the Great - or that of Troy's fall - made it to the big screen? In the aftermath of "Gladiator" (2000), with Hollywood studios rushing to revisit the ancient world with "Troy" and "Alexander" (both 2004), this question takes on renewed significance. Nisbet unpacks the ideas that continue to make Greece hot property - often too hot...

When we say "epigram," we mean "Martial"--whether we know it or not. After Martial, a Roman poet of the first century AD, epigram would always mean satirical epigram: a short, funny poem with a sting in its tail. But Martial was an imitator. He copied and adapted the real innovators: the Greek poets who were already turning epigram into antiquity's sharpest--and shortest--form of satirical humor. This book finally gives them their due, uncovering a forgotten world of wicked puns and violent slapstick.

Greek Epigram in Reception is a chronological survey of the reception history of the Greek Anthology, a Byzantine collection of ancient Greek short poems known as epigrams. Tracing the strange evolution of the Greek Anthology from the early nineteenth century to the years after the first World War, the volume analyses the complex webs of rhetoric that are spun as writers and translators bring their different agendas to bear on the Anthology's text, pruning it to meet their needs. As so little was known about its poets, and because it stood for the "Anthology" of the Greeks and their culture,...

This is an introduction to the ancient genre of epigram, short poems literally written or inscribed on' an object or figuratively on' a topic. The authors set out what epigram means and why it matters, exploring its roots in inscriptions on stone and its literary flourishing in the Hellenistic world after Alexander. They trace its migration from Greece to Rome, where its most famous exponent was Martial, and consider the continuation of Greek epigram under the Roman empire in the so-called Second Sophistic'. The final chapter shows how Greek epigram achieved new importance in the nineteenth...