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Over seventy texts by Harald Szeemann (1933-2015) that bring the ideas of this important curator of twentieth-century art to an English-speaking audience for the first time.

Ever since the mid-nineteenth century, when the new medium of photography was pressed into service to illustrate sculpture, photographs of sculptural objects have directed viewers as to what, in the course of ambling around a sculpture, was the single perfect moment to stop and look. What is the photograph's place in writing the history of sculpture? How has it changed according to culture, generation, criti-cal conviction, and changes in media? Photography and Sculpture: The Art Object in Reproduction studies aspects of these questions from the perspectives of sixteen leading art...

Essential - and engaging - reading for anyone interested in the issues that concerned artists and patrons in the sixteenth century.