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The need to 'rethink' and question the nature of dance history has not diminished since the first edition of Rethinking Dance History. This revised second edition addresses the needs of an ever-evolving field, with new contributions considering the role of digital media in dance practice; the expansion of performance philosophy; and the increasing importance of practice-as-research. A two-part structure divides the book's contributions into:

- Why Dance History? - the ideas, issues and key conversations that underpin any study of the history of theatrical dance.

...

The need to 'rethink' and question the nature of dance history has not diminished since the first edition of Rethinking Dance History. This revised second edition addresses the needs of an ever-evolving field, with new contributions considering the role of digital media in dance practice; the expansion of performance philosophy; and the increasing importance of practice-as-research. A two-part structure divides the book's contributions into:

- Why Dance History? - the ideas, issues and key conversations that underpin any study of the history of theatrical dance.

...

Piping down the valleys wild, Piping songs of pleasant glee, On a cloud I saw a child, And he laughing said to me: 'Pipe a song about a Lamb ' So I piped with merry cheer. 'Piper, pipe that song again.' So I piped: he wept to hear. 'Drop thy pipe, thy happy pipe; Sing thy songs of happy cheer ' So I sung the same again, While he wept with joy to hear. 'Piper, sit thee down and write In a book, that all may read.' So he vanished from my sight; And I plucked a hollow reed, And I made a rural pen, And I stained the water clear, And I wrote my happy songs Every child may joy to hear.