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Since his explosive debut with the indie sensation Hard Eight, Paul Thomas Anderson has established himself as one of contemporary cinema's most exciting artists. His 2002 feature Punch-Drunk Love radically reimagined the romantic comedy. Critics hailed There Will Be Blood as a key film of the new millennium. In The Master, Anderson jarred audiences with dreamy amorphousness and a departure from conventional story mechanics. Acclaimed film scholar and screenwriter George Toles approaches these three films in particular, and Anderson's oeuvre in general, with a focus on the role of emergence...

Since his explosive debut with the indie sensation Hard Eight, Paul Thomas Anderson has established himself as one of contemporary cinema's most exciting artists. His 2002 feature Punch-Drunk Love radically reimagined the romantic comedy. Critics hailed There Will Be Blood as a key film of the new millennium. In The Master, Anderson jarred audiences with dreamy amorphousness and a departure from conventional story mechanics. Acclaimed film scholar and screenwriter George Toles approaches these three films in particular, and Anderson's oeuvre in general, with a...