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The figure of the grateful slave, devoted to his or her master in thanks for kind treatment, is ubiquitous in eighteenth-century writing from Daniel Defoe's Colonel Jack (1722) to Maria Edgeworth's 'The Grateful Negro' (1804). Yet this important trope, linked with discourses that tried to justify racial oppression, slavery and colonialism, has been overlooked in eighteenth-century literary research. Challenging previous accounts of the relationship between sentiment and slavery, in this book George Boulukos shows how the image of the grateful slave contributed to colonial practices of white...

The figure of the grateful slave, devoted to his or her master in thanks for kind treatment, is ubiquitous in eighteenth-century writing from Daniel Defoe's Colonel Jack (1722) to Maria Edgeworth's 'The Grateful Negro' (1804). Yet this important trope, linked with discourses that tried to justify racial oppression, slavery and colonialism, has been overlooked in eighteenth-century literary research. Challenging previous accounts of the relationship between sentiment and slavery, in this book George Boulukos shows how the image of the grateful slave contributed to colonial practices of white...

A lavishly illustrated manuscript from the eighteenth century now being published for the first time, Thomas Hammond's memoirs are a major discovery. Hammond was a self-educated but remarkably gifted writer with a knack for seizing unlikely opportunities for adventure. We follow this abandoned waif as he embarks on a long journey through bewildering foreign lands--working by turns as a stableboy, jockey, servant to French nobles, itinerant circus rider, and entertainment entrepreneur--only to recover his home and father at the end of his travels.

Personal narratives by the...