Wyniki wyszukiwania:

Masculine Singular is an original interpretation of French New Wave cinema by one of France s leading feminist film scholars. While most criticism of the New Wave has concentrated on the filmmakers and their films, Genevieve Sellier focuses on the social and cultural turbulence of the cinema s formative years, from 1957 to 1962. The New Wave filmmakers were members of a young generation emerging on the French cultural scene, eager to acquire sexual and economic freedom. Almost all of them were men, and they wrote in the masculine first-person singular, often using male protagonists as...

In "The Battle of the Sexes in French Cinema, 1930 1956," Noel Burch and Genevieve Sellier adopt a sociocultural approach to films made in France before, during, and after World War II, paying particular attention to the Occupation years (1940 44). The authors contend that the films produced from the 1930s until 1956 when the state began to subsidize the movie industry, facilitating the emergence of an "auteur cinema" are important, both as historical texts and as sources of entertainment.

Citing more than 300 films and providing many in-depth interpretations, Burch and Sellier argue that...

In The Battle of the Sexes in French Cinema, 1930-1956, Noel Burch and Genevieve Sellier adopt a sociocultural approach to films made in France before, during, and after World War II, paying particular attention to the Occupation years (1940-44). The authors contend that the films produced from the 1930s until 1956--when the state began to subsidize the movie industry, facilitating the emergence of an -auteur cinema---are important, both as historical texts and as sources of entertainment.

Citing more than 300 films and providing many in-depth interpretations, Burch and Sellier...