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This volume of essays examines the perceived rift between the British and German intellectual and cultural traditions before 1914 and how the resultant war of words both reflects and helped determine historical, political, and, ultimately, military events. This vexed symbiosis is traced first through a survey of popular fiction, from alarmist British and German -invasion novels- to the visions of Erskine Childers and Saki and even P.G. Wodehouse; contrastingly, the -mixed-marriage novels- of von Arnim, Spottiswoode, and Wylie are considered. Further topics include D. H. Lawrence's ambivalent...

After Expressionism had run its feverish course, its foremost exponent Georg Kaiser (1878-1945) The Burghers of Calais, From Morn to Midnight, Gas proved equally adept at the lighter fare demanded by post-war audiences. Of some nine hundred comedies premiered in the Weimar era, his Pulp Fiction was an early triumph, often revived and played now as parody of a contagious literary genre, now as critique of Old World pieties. The New Woman emerged even more clearly towards the end of the 'Roaring Twenties' in Clairvoyance though now also as antagonist, from whose vampish sophistication the...