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An original and beautifully written book on changing perspectives in the art of theater. Through a study of nine plays--Oedipus Rex, Berenice, Tristan und Isolde, Hamlet, Ghosts, The Cherry Orchard, Six Characters in Search of an Author, Noah, Murder in the Cathedral--the author shows how all playwrights seek to "hold the mirror up to nature" and how in this respect the art of drama is always the same, varying only with the philosophical and aesthetic concepts of each age. The Idea of a Theater will delight both readers with a special interest in drama and those who read...

The individual insights employed in this reading of the Purgatorio are those of a twentieth-century mind, as are the author's references: T. S. Eliot, Henry James, I.A. Richards, Jacques Maritain, and many others. Purposely avoiding the pitfalls of Dantean scholarship, Mr. Fergusson reveals the drama of the order of Dante's vision, the developed form of the poetry, and the meaning of the canticle for modern man. "The Purgatorio," he says, "has light to shed upon history and its making; upon psychology, ethics, and education; upon politics and the transmission of our...

An original and beautifully written book on changing perspectives in the art of theater. Through a study of nine plays--Oedipus Rex, Berenice, Tristan und Isolde, Hamlet, Ghosts, The Cherry Orchard, Six Characters in Search of an Author, Noah, Murder in the Cathedral--the author shows how all playwrights seek to "hold the mirror up to nature" and how in this respect the art of drama is always the same, varying only with the philosophical and aesthetic concepts of each age. The Idea of a Theater will delight both readers with a special interest in drama and those who read...

Francis Fergusson was one of the foremost American literary critics and scholars of the twentieth century. A man of the theater as well as a man of letters, Fergusson's versatility and mastery traversed a wide range of intellectual disciplines. As George Core notes: "one of the most remarkable aspects of Fergusson's criticism is that it stands comfortably, at ease, with the best work stemming from diverse schools of criticism that are sometimes in conflict--the New Critics, the New York intellectuals, the myth critics and various distinguished critics of the modern theater." Though allied...

The individual insights employed in this reading of the Purgatorio are those of a twentieth-century mind, as are the author's references: T. S. Eliot, Henry James, I.A. Richards, Jacques Maritain, and many others. Purposely avoiding the pitfalls of Dantean scholarship, Mr. Fergusson reveals the drama of the order of Dante's vision, the developed form of the poetry, and the meaning of the canticle for modern man. "The Purgatorio," he says, "has light to shed upon history and its making; upon psychology, ethics, and education; upon politics and the transmission of our...

For over a decade, Canada's participation in the war in Afghanistan dominated media headlines, government discussions, academic studies, and the public international security debate. Now that the mission in Afghanistan is over, what issues should shape Canada's international security agenda? This collection of essays, written by leading observers of Canadian policy, seeks to answer this question by investigating how Canada will likely respond to new threats and security challenges in light of experience gained in Afghanistan. Topics include the future place of NATO in defence and security...

For over a decade, Canada's participation in the war in Afghanistan dominated media headlines, government discussions, academic studies, and the public international security debate. Now that the mission in Afghanistan is over, what issues should shape Canada's international security agenda? This collection of essays, written by leading observers of Canadian policy, seeks to answer this question by investigating how Canada will likely respond to new threats and security challenges in light of experience gained in Afghanistan. Topics include the future place of NATO in defence and security...

Introduced by Francis Fergusson, the Poetics, written in the fourth century B.C., is still an essential study of the art of drama, indeed the most fundamental one we have. It has been used by both playwrights and theorists of many periods, and interpreted, in the course of its two thousand years of life, in various ways. The literature which has accumulated around it is, as Mr. Fergusson points out, "full of disputes so erudite that the nonspecialist can only look on in respectful silence." But the Poetics itself is still with us, in all its suggestiveness, for the modern...