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The centrality of fantasy to French literary culture has long been accepted by critics, but the sonorous dimensions of the mode and its wider implications for musical production have gone largely unexplored. In this book, Francesca Brittan invites us to listen to fantasy, attending both to literary descriptions of sound in otherworldly narratives, and to the wave of 'fantastique' musical works published in France through the middle decades of the nineteenth century, including Berlioz's 1830 Symphonie fantastique, and pieces by Liszt, Adam, Meyerbeer, and others. Following the musico-literary...

This book explores the evolution of, and interactions between, fantasy and music in Romantic France, providing new contexts for the study of Berlioz and his contemporaries. The volume will appeal to readers beyond the musicological community, drawing together musical, literary, scientific, and visual materials, and applying theoretical and historical approaches.