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In the Taiwanese film industry, the dichotomy between 'art house' and commercially viable films is heavily emphasised. However, since the democratisation of the political landscape in Taiwan, Taiwanese cinema has become internationally fluid. As the case studies in this book demonstrate, film-makers such as Hou Hsiao-hsien, Edward Yang, Tsai Ming-liang and Ang Lee each engage with international audience expectations. New Taiwanese Cinema in Focus therefore presents the Taiwanese New Wave and Second Wave movements with an emphasis on intertextuality, citation and transcultural dialogue....

In the Taiwanese film industry, the dichotomy between 'art house' and commercially viable films is heavily emphasised. However, since the democratisation of the political landscape in Taiwan, Taiwanese cinema has become internationally fluid. As the case studies in this book demonstrate, film-makers such as Hou Hsiao-hsien, Edward Yang, Tsai Ming-liang and Ang Lee each engage with international audience expectations. New Taiwanese Cinema in Focus therefore presents the Taiwanese New Wave and Second Wave movements with an emphasis on intertextuality, citation and transcultural dialogue....

This collection of essays seeks to expand and refine the study of Sinophone and Franco-Japanese transnational cinema. Chapter by chapter, each author writes about two or three transnational films (and the characters within those films) that highlight issues related to migration, exile, and imprisonment. The essays are connected by themes of displacement, liminality, and (mis)communication. Overall, this anthology seeks to demonstrate that in-depth cinematic analysis is key to understanding filmic representations of diasporic and displaced communities in modern Mainland China and Japan.