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Rochelle Feinstein (born 1947) has long been influential as both an abstract painter and an educator (she was one of the first women to be tenured at in the Visual Arts at Yale, where she still teaches). Her thrillingly reckless paintings, full of gestural edge, humor and pop-cultural allusion, present a kind of two-dimensional precedent for the deftly coarse sculptures of Rachel Harrison, or an American counterpart to Martin Kippenberger.
This book--published for Feinstein's 2016-17 shows in Munch and Hannover, and for her 2018 exhibition at the Bronx Museum in New York--introduces...

This is the first monograph on the work of New York-based Virginia Overton (born 1971), which comprises installation, sculpture and photography, often made in response to a particular space. Through a process of trial and error, she creates sculpture that is -performative, - sometimes obstructing, bisecting, dividing or joining the architecture of a space with works that are both dramatic and minimal in feel. Infused with an ethos of economy, Overton's practice favors elemental materials, frequently recycled objects that are found on site or things discovered in the environs of the exhibition...