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Contemporary Afro-American theatre is an exciting spectacle of an emerging black identity during a period when blacks have come to the forefront of political activity in the United States. Genevieve Fabre brings us the vast and rich production of black drama since 1945, placing it in historical and cultural context as a platform for political statement. Two strains emerge: the militant theatre of protest, and the ethnic theatre of black experience.

Militant theatre breaks free from dominant white traditions and seeks to mobilize members of the community into common action. Masks and...

The first real reviewing of African-American literature in France began in 1844, when audiences welcomed the romantic dramas of Victor Sejour. With the passing of time, African-American works have become increasingly known in France, where they are now translated almost as soon as they come out in the United States. This bibliography charts the French critical response to African-American literature from the 19th century to 1970.

The bulk of the items selected were published between 1900 and 1970, and all were printed in French. The selection has been limited to responses to the works...

Digital technologies are reshaping every field of social and economic lives, so do they in the world of scientific knowledge. -The New Challenges of Knowledge- aims at understanding how the new digital technologies alter the production, diffusion and valorization of knowledge. We propose to give an insight into the economical, geopolitical and political stakes of numeric in knowledge in different countries. Law is at the center of this evolution, especially in the case of national and international confusion about Internet, Science and knowledge.