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(Applause Books). From the origins of the Negro spiritual and the birth of the Harlem Renaissance to the emergence of a national black theatre movement, The Theatre of Black Americans offers a penetrating look at a black art form that has exploded into an American cultural institution. Among the essays: James Hatch Some African Influences on the Afro-American Theatre; Shelby Steele Notes on Ritual in the New Black Theatre; Sister M. Francesca Thompson OSF The Lafayette Players; Ronald Ross The Role of Blacks in the Federal Theatre.

This collection of wild and woolly adventure stories from real life that was first published by Stackpole Books in 1954.

The Cambridge Guide to African and Caribbean Theatre is an exploration of the rich diversity of theatrical traditions in sub-Saharan Africa and the Caribbean. Beautifully illustrated throughout, the book traces the ancient and complex roots of African theatre - still evident in community festivals and religious rituals - through the centuries of colonial domination, to the African diaspora and its manifestation in Caribbean theatre. Drawing upon the parent Cambridge Guide to Theatre, material is updated and refocused to offer a specific view of traditional and contemporary theatre activity in...

This definitive history of African-American theatre embraces companies from across the U.S., as well as the anglophone Caribbean and African-American companies touring Europe, Australia and Africa. Representing a catholicity of styles, from African ritual to European forms, amateur to professional, and political nationalism to integration, the volume covers all aspects of performance. It includes minstrel, vaudeville, and cabaret acts, as well as shows written by whites that used black casts.