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Beginning with a discussion of the political commonplaces in Elizabethan England, Talbert then focuses on the writings of Sir Thomas Smith, Richard Hooker, Sir Philip Sidney, and authors of seditious tracts and Elizabethan pageants. There emerges a process of thought that was conventional to Shakespeare's contemporaries and much more complex than that indicated by the Elizabethan "world-picture" alone.

Originally published in 1962.

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Talbert's discussion of the relationship between serious character-types and structure in the dramas of the late 1580s and the early 1590s reveals the various playwrights' precise control of their material and their effective utilization of the revenge motif, ideas concerning kingship, and other ready-made concepts. The major emphasis falls on the artistry of Christopher Marlowe, but other Elizabethan playwrights are also examined.

Originally published in 1963.

A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available...