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The four paintings investigated in this book all depict Christ driving the traders from the temple. They are alike yet different with echoes of Pieter Bruegel the Elder and Hieronymous Bosch, but all were presumed to have been painted in Antwerp in the 16th century.

This volume contains papers from the NeCCAR 2014 conference "Authenticity in Transition." The papers debate the various ways that changing artistic practices affect our interpretation, conservation, and curation of contemporary art, with a special reference to the shifting concepts of authenticity and artistic intent. The papers examine the topic through many mediums including artists' viewpoints, the ephemeral nature of materials, historical perspective. The volume especially focuses on the problems caused by a shifting concept of authenticity to the conservation of artworks and conservation...

This text contains the proceedings of an international conference held at the University of Glasgow, 12-14 September 2007, on the meaning of authenticity within conservation practice.

Covering a broad spectrum of fascinating topics, 'Sources and Serendipity' examines the exchange and dissemination of information on art technological sources, new research approaches, and for the disclosure of thus far unpublished documentary and visual sources directly connected with artistic practice.