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In this book, Erika Fischer-Lichte traces the emergence of performance as 'an art event' in its own right. In setting performance art on an equal footing with the traditional art object, she heralds a new aesthetics.

The peculiar mode of experience that a performance provokes - blurring distinctions between artist and audience, body and mind, art and life - is here framed as the breeding ground for a new way of understanding performing arts, and through them even wider social and cultural processes.

With an introduction by Marvin Carlson, this translation of the original...

In this fascinating volume, acclaimed theatre historian Erika Fischer-Lichte reflects on the role and meaning accorded to the theme of sacrifice in Western cultures as mirrored in particular fusions of theatre and ritual. Theatre, Sacrifice, Ritual presents a radical re-definition of ritual theatre through analysis of performances as diverse as:

• Max Reinhardt's new people's theatre
• the mass spectacles of post-revolutionary Russia
• American Zionist pageants
• the Olympic Games.

In offering both a performative and a semiotic...

Tragedy's subsequent endurance on the German stage is mapped here through...

In this fascinating volume, acclaimed theatre historian Erika Fischer-Lichte reflects on the role and meaning accorded to the theme of sacrifice in Western cultures as mirrored in particular fusions of theatre and ritual. Theatre, Sacrifice, Ritual presents a radical re-definition of ritual theatre through analysis of performances as diverse as:

• Max Reinhardt's new people's theatre
• the mass spectacles of post-revolutionary Russia
• American Zionist pageants
• the Olympic Games.

In offering both a performative and a semiotic...

This book provides a timely intervention in the fields of performance studies and theatre history, and to larger issues of global cultural exchange. The authors offer a provocative argument for rethinking the scholarly assessment of how diverse performative cultures interact, how they are interwoven, and how they are dependent upon each other.

While the term intercultural theatre as a concept points back to postcolonialism and its contradictions, "The Politics of Interweaving Performance Cultures" explores global developments in the performing arts that cannot adequately be explained...

This major study reconstructs the vast history of European drama from Greek tragedy through to twentieth-century theatre, focusing on the subject of identity. Throughout history, drama has performed and represented political, religious, national, ethnic, class-related, gendered, and individual concepts of identity.

Erika Fischer-Lichte's topics include:

* ancient Greek theatre
* Shakespeare and Elizabethan theatre by Corneilli, Racine, Moliere
* the Italian commedia dell'arte and its transformations into eighteenth-century drama
* the German Enlightenment - Lessing,...

Erika Fischer-Lichte's introduction to the discipline of Theatre and Performance Studies is a strikingly authoritative and wide ranging guide to the study of theatre in all of its forms. Its three-part structure moves from the first steps in starting to think about performance, through to the diverse and interrelated concerns required of higher-level study:

Part 1 - Central Concepts for Theatre and Performance Research　-　introduces the language and key ideas that are used to discuss and think about theatre: concepts of performance; the emergence of...

Dionysus Resurrected analyzes the global resurgence since the late 1960s of Euripides' The Bacchae. By analyzing and contextualizing these modern day performances, the author reveals striking parallels between transformational events taking place during the era of the play's revival and events within the play itself.

• Puts forward a lively discussion of the parallels between transformational eventsduring the era of the play's revival and events within the play itself
• The first comparative study to analyse and contextualize performances of The...

Erika Fischer-Lichte's introduction to the discipline of Theatre and Performance Studies is a strikingly authoritative and wide ranging guide to the study of theatre in all of its forms. Its three-part structure moves from the first steps in starting to think about performance, through to the diverse and interrelated concerns required of higher-level study:

Part 1 - Central Concepts for Theatre and Performance Research　-　introduces the language and key ideas that are used to discuss and think about theatre: concepts of performance; the emergence of...

In this book, Erika Fischer-Lichte traces the emergence of performance as 'an art event' in its own right. In setting performance art on an equal footing with the traditional art object, she heralds a new aesthetics.

The peculiar mode of experience that a performance provokes - blurring distinctions between artist and audience, body and mind, art and life - is here framed as the breeding ground for a new way of understanding performing arts, and through them even wider social and cultural processes.

With an introduction by Marvin Carlson, this translation of the original...