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While Emilio Villa (1914-2003) was referred to as Zeus because of his greatness and Rabelais because of his mental voracity, for decades his work remained in oblivion, only recently surfacing to reveal him to be one of the most formidable figures of the Italian Novecento, if not of world culture. His marginalization was in part self-inflicted, due to his sibylline nature if not to his great erudition, which gave rise to a poetics so unconventional that few knew what to make of it: a biblicist who composed experimental verse in over ten different languages, including tongues from Milanese...

There is a long-standing debate over the relation of historical linguistics and classical philology, especially within the purview of the renewed interest in it during the last decades and the recent trends that characterize philological and linguistic studies.

Ever since its appearance in the nineteenth century, the history of this debate testifies to a turbulent coexistence and fertile collaboration of the two disciplines, but at times also moving along centrifugal paths. The essays in this volume address this debate and cover various aspects of linguistic and philological...