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Dark Forces at Work examines the role of race, class, gender, religion, and the economy as they are portrayed in, and help construct, horror narratives across a range of films and eras. These larger social forces not only create the context for our cinematic horrors, but serve as connective tissue between fantasy and lived reality, as well. While several of the essays focus on "name" horror films such as IT, Get Out, Hellraiser, and Don't Breathe, the collection also features essays focused on horror films produced in Asia, Europe, and Latin America, and on American classic...