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Emile Male's book aids understanding of medieval art and medieval symbolism, and of the vision of the world which presided over the building of the French cathedrals. It looks at French religious art in the Middle Ages, its forms, and especially the Eastern sources of sculptural iconography used in the cathedrals of France. Fully illustrated with many footnotes it acts as a useful guide for the student of Western culture.

Emile Male's book aids understanding of medieval art and medieval symbolism, and of the vision of the world which presided over the building of the French cathedrals.

From his series of definitive works on religious art in medieval France, and later in Italy, Spain, Flanders, and Germany, as well, the author has chosen those passages most significant and interesting for the general reader and arranged them, providing transitional passages where necessary, in this compact and useful volume. Again available in paperback, and including improved illustrations, the book presents a summation that eloquently conveys an intimate picture of the French Middle Ages and the grandeur of the artistic renaissance that accompanied the Counter Reformation.