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The Fringes of Belief is the first literary study of freethinking and religious skepticism in the English Enlightenment. Ellenzweig aims to redress this scholarly lacuna, arguing that a literature of English freethinking has been overlooked because it unexpectedly supported aspects of institutional religion. Analyzing works by John Wilmot, Earl of Rochester, Aphra Behn, Jonathan Swift, and Alexander Pope, she foregrounds a strand of the English freethinking tradition that was suspicious of revealed religion yet often strongly opposed to the open denigration of Anglican Christianity and...

Allen Ellenzweig traces the male gaze upon men as captured by the camera throughout the history of photography. More than one hundred striking, provocative duotone photographs reflect a wide-ranging history of photographic male homoeroticism and the spiritual, physical, and intellectual exchange among men. Accompanying these images is a detailed account of the multiple, complex meanings of the homoerotic that have taken shape from the 1850s to today.

Ellenzweig situates each of his artists within their historical context, with chapters devoted to specific photographers and eras. He begins...

New materialism challenges the mechanistic models characteristic of early modern philosophy that regarded matter as largely passive and inert. Instead it gives weight to topics often overlooked in such accounts: agency, vitalism, complexity, contingency, and self-organization.

This collection, which includes an international roster of contributors from philosophy, history, literature, and science, is the first to ask what is "new" about the new materialism and place it in interdisciplinary perspective. Against current theories of new materialism it argues for a deeper...

Accompanying a retrospective of the pioneering photographer, this volume of more than 75 original works will thrill Duane Michals aficionados, while introducing younger viewers to an innovative artist who redefined the role of the photograph in artistic expression. A self-taught photographer, Duane Michals broke away from established traditions of the medium during the 1960s. His messages and poems inscribed on the photographs, and his visual stories created through multiple images, defied the principles of the reigning practitioners of the form. Indeed, Michals considers himself as much a...