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"A psychologically and emotionally astute family portrait, with dark themes like racism, cancer and the bittersweet longing of the immigrant."
--"New York Times Book Review (Editors Choice)"
"Nunez has created a moving and insightful character study while delving into the complexities of identity politics. Highly recommended."
--"Library Journal (*starred review*)"
"Nunez deftly explores family strife and immigrant identity in her vivid latest . . . with expressive prose and convincing characters that immediately hook the reader."
--"Publishers Weekly (*starred review*)"...

"The very title of Elizabeth Nunez's gripping and richly imagined sixth novel, Prospero's Daughter, distances her work from both the original Tempest (in which the daughter, Miranda, is perhaps the least developed of all Shakespearean heroines) and from the many postcolonial reactions to the play . . . Nunez, who is a master at pacing and plotting, explores the motivations behind Caliban's outburst, hatching an entirely new story that is inspired by Shakespeare, but not beholden to him."
--New York Times Book Review

"Masterful . . . simply wonderful . . . an]...

A main selection of the Black Expressions Book Club

"Refreshingly ambitious in its intellectual scope." --New York Times Book Review

"A captivating tale of Oufoula Sindede, an African diplomat in a passionless marriage who falls madly in love with Marguerite, a New York City artist." --Essence

"Right from the start of this haunting novel, Nunez adopts the mesmerizing myth-spinning voice of an oral storyteller . . . In unaffected prose, Nunez explores self-deception, envy, Christian monogamy vs. African polygamy, and the very real dilemma of loving two people at once...

Stories from Blue Latitudes gathers the major and emerging women fiction writers from the Caribbean, including Dionne Brand, Michelle Cliff, Merle Collins, Edwidge Danticat, Jamaica Kincaid, Paule Marshall, and Pauline Melville. Similar themes grace their stories of life at home and abroad. In some, the sexual exploitation of Caribbean girls and women becomes a metaphor for neocolonialism, a biting rejoinder to enticing travel brochures that depict the Caribbean as a tropical playground and encourage Americans to "make it your own." Other tales deal with the sad legacy of colonial history and...

"Extremely deserving of its title, this gorgeous, meditative book is a graceful rendering of one couple's journeys and explorations toward and away from each other. A moving love story, it shows us how a deferred dream can erode a marriage and how grace can sometimes put us to the test, even as it redeems."
--Edwidge Danticat, author of Claire of the Sea Light

"Highly recommended . . . a deeply felt and compassionate novel. Wise and resonant, it will strike a chord with readers."
--Library Journal

"Nunez is able to write the interior monologue of a changing mind,...

The year is 1954. A white woman s body, stuffed in a coconut bag, has washed ashore in Otatiti, Trinidad, and the British colony is rife with rumors. In two homes, one in a distant shantytown, the other on the outskirts of a former sugar cane estate, two women hear the news and their blood runs cold. Rosa, the white daughter of a landowner, and Zuela, the adopted daughter of a Chinese shop owner used to play together as girls and witnessed something terrible behind a hibiscus bush many years ago."

" A] haunting story . . . Bears witness to the struggles of an African Caribbean woman as she seeks to find her place in America without selling her soul." -BEBE MOORE CAMPBELL, Author of Your Blues Ain't Like Mine

When Sara Edgehill is given a scholarship to leave Trinidad and attend a college in Wisconsin, she is thrilled. America, the one she has seen in the movies, is a land of dreams, prosperity, and equality. Not like Trinidad, where her parents cast disappointed glances her way because she wasn't born with lighter-colored skin. But when Sara leaves her island's brilliant...

"Defining Ourselves" offers perspectives on black literature in the 1990s by twenty-nine black writers and critics, including Paule Marshall, Amiri Baraka, John A. Williams, Ishmael Reed, Walter Mosley, Marita Golden, Thulani Davis, Jill Nelson, Arthur Flowers, Lorna Goodison, Bebe Moore Campbell, Brent Staples, Terry McMillan, Stanley Crouch, Houston A. Baker Jr., Barbara Christian, Karla FC Holloway, and William W. Cook. The essays in this book are based on papers presented at the Fourth National Black Writers Conference at Medgar Evers College of the City University of New York, which...