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In this study, Elizabeth Keyser examines representative works from the various genres in which Alcott wrote, uncovering self-portraits or metafictions that convey what it meant to be a Victorian woman writer. Alcott's wealth of allusion to other writers, such as Charlotte Bronte, Margaret Fuller, and, especially, Nathaniel Hawthorne, and of recurring motifs, such as textiles, texts, and theatricals, reveals her consistent subversion of conventional values for women. Keyser shows that beneath the mildly progressive feminism of her domestic and children's fiction lurks the more radical feminism...

Although the publication of Little Women in 1868 earned Louisa May Alcott tremendous popularity, for a long time she was thought of as a writer of children's stories and considered at best a minor figure in the American literary canon. Now, at the end of the twentieth century, Alcott's vast body of work is being celebrated alongside the greatest American writers, and this collection shows why. The Portable Louisa May Alcott samples the entire spectrum of Alcott's work: her novels, novellas, children's stories, sensationalist fiction, gothic tales, essays, letters, and...