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After Words investigates the ways in which the suicide of a writer informs critical interpretations of his or her works. Suicide is a revision as well as a form of authorship, both on the part of the author, who has written his/her final scene and revised the 'natural' course of his/her life, and on the part of the reader, who must make sense of this final act of writing.

Focusing on four twentieth-century Italian writers (Guido Morselli, Amelia Rosselli, Cesare Pavese, and Primo Levi), Elizabeth Leake examines their personal correspondence, diaries, and obituaries as well as...