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At the turn of the century, Colorado's Cripple Creek District captured the national imagination with the extraordinary wealth of its gold mines and the unquestionable strength of the militant Western Federation of Miners. In ALL THAT GLITTERS, Elizabeth Jameson tells the better-than-fiction story of Cripple Creek, the scene in 1894 of one of radical labor's most stunning victories and in 1903-4 of one of its most crushing defeats. 32 photos.

A major goal of the New Western History is to chronicle the vast diversity of western experience. In this pathbreaking anthology, coeditors Elizabeth Jameson and Susan Armitage-who brought us "The Women's West in 1987"-meet that challenge by bringing together twenty-nine essays that present women of all races as actors in their own lives and in the history of the American West and locate them in a framework that connects gender, race, and class.

In mythic sagas of the American West, the wide western range offered boundless opportunity to a limited cast of white men. Buffalo roamed,...

The American West looms large in popular imagination-a place where men were rugged and independent, violent and courageous. In this mythic West all the men were white, and the women were largely absent. The few female actors played supporting roles around the edges of the drama. Molded by the Victorian Cult of True Womanhood, they were passive, dependent, reluctant, and out of place. Men "won" the West. Women, against their better judgement, followed them to this "newly discovered" place and tried to re-create the amenities of the urban East.

Or so the myth goes. The Women's West...