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Photographs have had an integral and complex role in many anthropological contexts, from fieldwork to museum exhibitions. This book explores how approaching anthropological photographs as 'history' can offer both theoretical and empirical insights into these roles. Photographs are thought to make problematic history because of their ambiguity and 'rawness'. In short, they have too many meanings. The author refutes this prejudice by exploring, through a series of case studies, precisely the potential of this raw quality to open up new perspectives.

Taking the nature of photography as...

Vision is more than looking or seeing. Visual Sense presents a series of readings which challenge conventional psychological and social scientific approaches to the study of the ocular. The book highlights the multitude of ways in which vision is linked to other senses and is an embodied cultural process.
Visual Sense introduces students to the analysis of a wide range of ways of experiencing sight across time and across cultures: from renaissance Italy, Aztec Mexico and early Christian Europe, from Tibet, West Africa, Aboriginal Australia and South America, amongst...

The status of photographs in the history of museum collections is a complex one. From its very beginnings the double capacity of photography - as a tool for making a visual record on the one hand and an aesthetic form in its own right on the other - has created tensions about its place in the hierarchy of museum objects. While major collections of 'art' photography have grown in status and visibility, photographs not designated 'art' are often invisible in museums. Yet almost every museum has photographs as part of its ecosystem, gathered as information, corroboration or documentation,...

Anthropologists of the senses have long argued that cultures differ in their sensory registers. This groundbreaking volume applies this idea to material culture and the social practices that endow objects with meanings in both colonial and postcolonial relationships. It challenges the privileged position of the sense of vision in the analysis of material culture. Contributors argue that vision can only be understood in relation to the other senses. In this they present another challenge to the assumed western five-sense model, and show how our understanding of material culture in both...

Photographs have had an integral and complex role in many anthropological contexts, from fieldwork to museum exhibitions. This book explores how approaching anthropological photographs as 'history' can offer both theoretical and empirical insights into these roles. Photographs are thought to make problematic history because of their ambiguity and 'rawness'. In short, they have too many meanings. The author refutes this prejudice by exploring, through a series of case studies, precisely the potential of this raw quality to open up new perspectives.

Taking the nature of photography as...

Vision is more than looking or seeing. Visual Sense presents a series of readings which challenge conventional psychological and social scientific approaches to the study of the ocular. The book highlights the multitude of ways in which vision is linked to other senses and is an embodied cultural process.
Visual Sense introduces students to the analysis of a wide range of ways of experiencing sight across time and across cultures: from renaissance Italy, Aztec Mexico and early Christian Europe, from Tibet, West Africa, Aboriginal Australia and South America, amongst...