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This book explores the notion that the emergent language of contemporary theatre, and more generally of modern culture, has links to much earlier forms of storytelling and an ancient worldview.
Chapter 1. Reaching for the Unknowable: the Human need for Ritual
Chapter 2. A Flexible Superstructure: Macrocosm/Microcosm and the Medieval Worldview
Chapter 3. The Power of Archetype: Universal-General and Historical-Specific
Chapter 4. Time and Space: Hierophany and Imaginative Flexibility
PART TWO: Moving Forward: New Historically-Responsive Methods
Chapter 5. The Sacred Body-as-Text: from Medieval to Avant-Garde
Chapter 6. Seeking Immersion, Finding Connection: the Contemporary Theatre
Chapter 7. Theatre in Times of Crisis: the Power of Ancient Forms in Collective Processing
Bibliography
Index
Eleanor Chadwick is Programme Leader of Performing Arts at Plymouth Marjon University, and Postdoctoral Associate in Theatre Studies at University of Warwick, UK.