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For such a rare phenomenon, serial killing gains a lot of attention on film, often presented as an ever-growing danger, either symptomatic of the times we live in or an abiding feature of human existence. Richard Dyer explores the plethora of assumptions, influences and ideas behind the many representations of serial killers in European cinema.

Writing with his customary wit and style, Richard Dyer argues that while pastiche can be used to describe works which contain montage or collage, it can also be used to describe works which are a kind of imitation of previous works.

Investigating a wide range of cultural texts drawn from films, videos, novels, poetry, rap tracks, music and painting, Richard Dyer explores issues of text, genre, and the use of pastiche as a resource within a work. The final chapter draws together the underlying concern of the book with affect and poetics and discusses the politics of pastiche.

For such a rare phenomenon, serial killing gains a lot of attention on film, often presented as an ever-growing danger, either symptomatic of the times we live in or an abiding feature of human existence. Richard Dyer explores the plethora of assumptions, influences and ideas behind the many representations of serial killers in European cinema.

Now 20 years since its initial release, Richard Dyer s classic text White remains a groundbreaking and insightful study of the representation of whiteness in Western visual culture.

White explores how, while racial representation is central to the organization of the contemporary world, white people have remained a largely unexamined category in sharp contrast to the many studies of images of black and Asian peoples. Looking beyond the apparent unremarkability of whiteness, Dyer demonstrates the importance of analyzing images of white people.

Dyer places this...

Richard Dyer's classic study of movie stars and stardom has been updated, with a new introduction by the author discussing the rise of celebrity culture and developments in the study of stars since publication of the first edition in 1986.
Dyer's illuminating study is based around case studies of three major stars: Marilyn Monroe, Paul Robeson and Judy Garland. He draws on a wide range of sources, including the films in which each star appeared, to illustrate how each star's persona was constructed, and goes on to examine each within the context of particular issues in fan culture and...

Songs take up space and time in films. Richard Dyer's In the Space of a Song takes off from this perception, arguing that the way songs take up space indicates a great deal about the songs themselves, the nature of the feelings they present, and who is allowed to present feelings how, when and where. In the Space of a Song explores this perception through a range of examples, from classic MGM musicals to blaxploitation cinema, with the career of Lena Horne providing a turning point in the cultural dynamics of the feeling.

Chapters include:

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Writing with his customary wit and style, Richard Dyer argues that while pastiche can be used to describe works which contain montage or collage, it can also be used to describe works which are a kind of imitation of previous works.

Investigating a wide range of cultural texts drawn from films, videos, novels, poetry, rap tracks, music and painting, Richard Dyer explores issues of text, genre, and the use of pastiche as a resource within a work. The final chapter draws together the underlying concern of the book with affect and poetics and discusses the politics of pastiche.

Now 20 years since its initial release, Richard Dyer s classic text White remains a groundbreaking and insightful study of the representation of whiteness in Western visual culture.

White explores how, while racial representation is central to the organization of the contemporary world, white people have remained a largely unexamined category in sharp contrast to the many studies of images of black and Asian peoples. Looking beyond the apparent unremarkability of whiteness, Dyer demonstrates the importance of analyzing images of white people.

Dyer places this...