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This original study offers a timely reconsideration
of the work of French philosopher Jean-Francois Lyotard in relation to art,
performance and writing.
How can we write about art, whilst
acknowledging the transformation that inevitably accompanies
translations of both media and temporality?
That is the question that persistently dogs Lyotard's own writings on art, and
to which this book responds through reference to artists from the
recently-formed canon of performance art history, including the myths of
seminal figures Marina Abramovic
and Vito Acconci,...

This original study offers a timely reconsiderationof the work of French philosopher Jean-Francois Lyotard in relation to art, performance and writing.

How can we write about art, whilstacknowledging the transformation that inevitably accompanies translations of both media and temporality?That is the question that persistently dogs Lyotard's own writings on art, andto which this book responds through reference to artists from therecently-formed canon of performance art history, including the myths ofseminal figures Marina Abramovicand Vito Acconci, and the...

Bamford's book is the first to consider Lyotard's work and ideas in the wider context of his life and times. He unravels the thrust of Lyotard's main philosophical arguments, his struggle with thinking, and his confrontation with the task of writing and thinking...