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This powerful history of broadcasting in the United States goes beyond traditional accounts to explore the field's important social, political, and cultural ramifications. It examines how broadcasting has been organized as a business throughout much of the 20th century, and focuses on the aesthetics of programming over the years.

• Surveys four key broadcasting periods from 1921 to 1996, drawing on a range of new sources to examine recent changes in the field, including coverage of the recent impact of cable TV and home video
  
• Includes new data from...

The coming of sound to film was an event whose importance can hardly be overestimated; sound transformed not only the Hollywood film industry but all of world cinema as well. As economic and film historian Douglas Gomery explains, the business of film became not only bigger but much more complex. As sound spread its power, the talkies became an agent of economic and social change through the globe, extending America's reach in ways that had never before been imaginable.
This is an essential work for anyone interested in early film, film history and economics, and the history of the...

Despite being one of the biggest industries in the world, the "dream factory" that is Hollywood is little understood outside the business.The Hollywood StudioSystemfills that gap. It is the first book to describe and analyze the complete development, operation, and reinvention of the global corporate entities that produce and distribute most of the films we watch.
Starting in 1920, Adolph Zukor, head of Paramount Pictures, helped to fashion Hollywood into a vertically integrated system, a set of economic innovations that was firmly in place by 1930. For the next three...

Patsy Cline remains a much beloved singer, even though she died in 1963. By 1996, Patsy Cline had become such an icon that The New York Times magazine positioned her among a pantheon of women celebrities who transcended any single cultural genre. A series of essays on "Heroine Worship" included Patsy Cline with such "feminine icons" as Eleanor Roosevelt, Martha Graham, Indira Gandhi, Aretha Franklin, and Jackie Onassis. The making of an icon is a cultural process that transcends traditional biographical analysis. One does not need to know the whole life story of the subject to understand how...

Despite being one of the biggest industries in the world, the "dream factory" that is Hollywood is little understood outside the business.The Hollywood StudioSystemfills that gap. It is the first book to describe and analyze the complete development, operation, and reinvention of the global corporate entities that produce and distribute most of the films we watch.
Starting in 1920, Adolph Zukor, head of Paramount Pictures, helped to fashion Hollywood into a vertically integrated system, a set of economic innovations that was firmly in place by 1930. For the next three...

Sound transformed not only the Hollywood film industry, but all of world cinema. This text examines how the arrival of sound brought a boom to the industry and why its social impact deepened in complexity.

This book attempts to provide an insight into the inner workings of the television industry. This book focuses on the essential elements of the industry: the policy and regulatory frameworks; and the swiftly changing world of video production technology, all of which provides the backdrops against which broadcasters shape and sell their products.

This powerful history of broadcasting in the United States goes beyond traditional accounts to explore the field's important social, political, and cultural ramifications. It examines how broadcasting has been organized as a business throughout much of the 20th century, and focuses on the aesthetics of programming over the years.

• Surveys four key broadcasting periods from 1921 to 1996, drawing on a range of new sources to examine recent changes in the field, including coverage of the recent impact of cable TV and home video
  
• Includes new data from...

Covering everything from Edison to Avatar, Gomery and Pafort-Overduin have written the clearest, best organized, and most user-friendly film history textbook on the market. It masterfully distills the major trends and movements of film history, so that the subject can be taught in one semester. And each chapter includes a compelling case study that highlights an important moment in movie history and, at the same time, subtly introduces a methodological approach. This book is a pleasure to read and to teach. Peter Decherney, University of Pennsylvania, USA

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