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William Faulkner was born September 25, 1897. In honor of his centenary the Faulkner and Yoknapatawpha Conference of 1997 brought together twenty-five of the most important Faulkner scholars to examine the achievement of this writer generally regarded as the finest American novelist of the twentieth century.

The essays and panel discussions that make up Faulkner at 100: Retrospect and Prospect provide a comprehensive account of the man and his work, including discussions of his life, the shape of his career, and his place in American literature, as well as fresh readings of such...

These thirteen original essays from the annual Faulkner and Yoknapatawpha Conference, held in 1994 at the University of Mississippi, examine William Faulkner's texts in terms of their surprising range of gender portrayals.
The collection explores such themes as the male homosocial urge ay the heart of warfare, the blurring of gender distinctions in Faulkner's -epicene- figures, the function of cross-dressing as a form of defiance of traditional hierarchies. Several of the essays see in Faulkner a challenge to the -culture- vs. -nature- dichotomy itself, suggesting that sex may be a...

These thirteen original papers from the annual Faulkner and Yoknapatawpha Conference held in 19921 at the University of Mississippi explore some of the specific ideologies at work in William Faulkner's historical and socioeconomic moment, as well as his unique implementation of those ideologies in his fiction. The essays range from consideration of southern politics and history, consumer culture, race, and gender to theoretical speculation on the nature and impact of ideological analysis itself.

Although he belonged to an American generation of writers deeply influenced by the high modernist revolt -against nature- and against the self-imposed limits of realism to a palpable world, William Faulkner reveals throughout his work an abiding sensitivity to the natural world. He writes of the big woods, of animals, and of the human body as a ground of being that art and culture can neither transcend nor completely control.
The eleven essays that make up this volume, including a paper written by the acclaimed novelist William Kennedy, explore the place of -the unbuilt world- in...