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First published in 1966, revolving musically around three separate identities and the idea of identity itself, Mr. Share's novel can, perhaps, be best described as a metaphysical farce.

Two men meet in an airport men's room ("Excuse me. But you're pissing on my foot.") sometime in the early 1990s in the Arabian Gulf. From this meeting, they proceed to get a bit drunk on bad liquor, discover a magical hidden room, get transported back to the Ireland of the late 1940s and '50s, rummage through memories of their days at Trinity College (though they apparently never knew each other), and fumble about like Laurel and Hardy trying to make a degree of sense of what's happening (or did happen) to them. As oblique and deliciously Irish as Joyce and Beckett, and drawing upon the...

Can a newborn infant accurately record traumatic experience? Can early truamas be retained in memory? How would such traumatic memories affect later development? Where should we look for evidence of such traumas in adult patients?

If Someone Speaks, It Gets Lighter provides surprising answers to these questions. Taking as her point of departure both her own clinical experience and case reports in the analytic literature, Lynda Share provides a thorough, at times revelatory, examination of the basic issues. She proposes that the controversy between narrative and historical...

When Harriet Monroe founded Poetry magazine in Chicago in 1912, she began with an image: the Open Door. "May the great poet we are looking for never find it shut, or half-shut, against his ample genius " For a century, the most important and enduring poets have walked through that door--William Carlos Williams and Wallace Stevens in its first years, Rae Armantrout and Kay Ryan in 2011. And at the same time, Poetry continues to discover the new voices who will be read a century from now.

Poetry's archives are incomparable, and to celebrate the magazine's...