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The first collection of essays by the Nobel laureate.

Derek Walcott has been publishing essays in The New York Review of Books, The New Republic, and elsewhere for more than twenty years. What the Twilight Says collects these pieces to form a volume of remarkable elegance, concision, and brilliance. It includes Walcott's moving and insightful examinations of the paradoxes of Caribbean culture, his Nobel lecture, and his reckoning of the work and significance of such poets as Robert Lowell, Joseph Brodsky, Robert Frost, Les Murray, and Ted Hughes, and of prose writers...

Dazzling dramas on American themes from the Nobel laureate

On a cold winter's day on the Dakota plains, Catherine Weldon receives a caller, Kicking Bear, bringing news of Indian rebellion. In the fort nearby, a tiny community splinters apart over how to react. In Ghost Dance, first performed in 1989, Walcott turns a story with a foregone conclusion -- Sitting Bull and his Sioux followers will die at the hands of the Army and Indian agents -- into a portrait of life at a crossroads of American history.

In Walker, an opera first performed in 1992 and revised...

With its inspired counterpointing of Homeric and Caribbean themes, Derek Walcott's new play, commissioned by Britain's Royal Shakespeare Company, springs from the same imaginative sources as his epic poem Omeros.

Episodes of the story of Odysseus' protracted wanderings from fallen Troy to his island home of Ithaca are pungently interspersed with a commentary by the blind singer Billy Blue. Proteus, the Old Man of the Sea, the giant Cyclops, Circe and her revellers, ghosts, and mermaids are among the cast. With its vast sweep and richly figurative language, The Odyssey...

The Bounty was the first book of poems Walcott published after winning the 1992 Nobel Prize in Literature. Opening with the title poem, a memorable elegy to the poet's mother, the book features a haunting series of poems that evoke Walcott's native ground, the island of St. Lucia. "For almost forty years his throbbing and relentless lines kept arriving in the English language like tidal waves," Walcott's great contemporary Joseph Brodsky once observed. "He gives us more than himself or 'a world'; he gives us a sense of infinity embodied in the language."

This remarkable collection, which won the 1986 Los Angeles Times Book Prize for Poetry, includes most of the poems from each of Derek Walcott's seven prior books of verse and all of his long autobiographical poem, "Another Life." The 1992 Nobel Laureate in Literature, Walcott has been producing--for several decades--a poetry with all the beauty, wisdom, directness, and narrative force of our classic myths and fairy tales, and in this hefty volume readers will find a full record of his important endeavor. "Walcott's virutes as a poet are extraordinary," James Dickey wrote in The...

In Moon-Child, the poet and playwright Derek Walcott returns to the island of St. Lucia for a lush and vivid tale of spirituality and the supernatural. In this lyrical new work, the crafty Planter (who may or may not be the Devil in disguise) schemes to take over the island for development. Between him and his goal lies the Bouton family, whose ailing matriarch strikes a bargain: if any of her three sons can get the Devil to feel anger and human weakness, the islanders will win the right to spend the rest of their days in wealth and peace.

In a fable that reaches from St....

Plays by the Nobel-laureate, brought together for the first time

In the history plays that comprise The Haitian Trilogy--Henri Christophe, Drums and Colours and The Haytian Earth--Derek Walcott, recipient of the Nobel Prize in Literature, uses verse to tell the story of his native West Indies as a four-hundred-year cycle of war, conquest and rebellion.

In Henri Christophe and The Haytian Earth, Walcott re-casts the legacy of Haiti's violent revolutionaries--led by Toussaint L'Ouverture, Jean Jacques Dessalines and Henri...

A poem in five books, of circular narrative design, titled with the Greek name for Homer, which simultaneously charts two currents of history: the visible history charted in events -- the tribal losses of the American Indian, the tragedy of African enslavement -- and the interior, unwritten epic fashioned from the suffering of the individual in exile.

The Prodigal is a journey through physical and mental landscapes, from Greenwich Village to the Alps, Pescara to Milan, Germany to Cartagena. But always in "the music of memory, water," abides St. Lucia, the author's birthplace, and the living sea. In his new work, Derek Walcott has created a sweeping yet intimate epic of an exhausted Europe studded with church spires and mountains, train stations and statuary, where the New World is an idea, a "wavering map," and where History subsumes the natural history of his "unimportantly beautiful" island home. Here, the wanderer fears that...

On a Caribbean island, the morning after a full moon, Felix Hobain tears through the market in a drunken rage. Taken away to sober up in jail, all that night he is gripped by hallucinations: the impoverished hermit believes he has become a healer, walking from village to village, tending to the sick, waiting for a sign from God. In this dream, his one companion, Moustique, wants to exploit his power. Moustique decides to impersonate a prophet himself, ignoring a coffin-maker who warns him he will die and enraging the people of the island. Hobain, half-awake in his desolate jail cell,...

Two masterful artists--Gauguin and van Gogh--come alive in a vibrant drama about friendship, art, and madness

Two painters--Paul Gauguin and Vincent van Gogh--are living together in the sleepy town of Arles in 1888. Soon, Gauguin, frustrated by van Gogh's refusal to acknowledge his increasingly troubled mind, will depart for Paris. In two years, van Gogh will be dead by his own hand. In the meantime, the friends discuss their craft; they frequent a local cafe that van Gogh will soon immortalize; they become acquainted with a young prostitute, Lotte, who becomes...

Derek Walcott's eighth collection of poems, The Arkansas Testament, is divided into two parts--"Here," verse evoking the poet's native Caribbean, and "Elsewhere." It opens with six poems in quatrains whose memorable, compact lines further Walcott's continuous effort to crystallize images of the Caribbean landscape and people.

For several years, Derek Walcott has lived mainly in the United States. "The Arkansas Testament," one of the book's long poems, is a powerful confrontation of changing allegiances. The poem's crisis is the taking on of an extra history, one that...

A DAZZLING NEW COLLECTION FROM ONE OF THE MOST IMPORTANT POETS OF THE TWENTIETH CENTURY

In White Egrets, Derek Walcott treats the characteristic subjects of his career--the Caribbean's complex colonial legacy, his love of the Western literary tradition, the wisdom that comes through the passing of time, the always strange joys of new love, and the sometimes terrifying beauty of the natural world--with an intensity and drive that recall his greatest work. Through the mesmerizing repetition of theme and imagery, Walcott creates an almost surflike cadence,...

Boldly speaking his mind, Walcott takes many...