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Assuming the burden of reading imposed by the correlation of the order of language and the order of events, this book argues that the possibility of reading and writing history is tied to the endurance of traces of the past and their coming to legibility, allegorically, at a given time. Through attentive readings of a range of texts--including theoretical writings, diaries, newspaper reports, and "live" television broadcasts--In the Event elaborates the ways in which allegory disrupts our presumptions of continuity and simultaneity between the image (whatever its medium) and what we...

The House of Mirth captured the attention of a large portion of the reading public when it was published in a serial version for most of 1905 and then as a book in October of that year. Edith Wharton's story of Lily Bart topped the American bestseller list for four months and sealed the author's reputation as one of the major English-language fiction writers of her generation. Each of the four articles collected in this New Essays volume makes distinctive new claims for the historical, critical, and theoretical significance of Wharton's seminal work.

Assuming the burden of reading imposed by the correlation of the order of language and the order of events, this book argues that the possibility of reading and writing history is tied to the endurance of traces of the past and their coming to legibility, allegorically, at a given time. Through attentive readings of a range of texts--including theoretical writings, diaries, newspaper reports, and -live- television broadcasts--In the Event elaborates the ways in which allegory disrupts our presumptions of continuity and simultaneity between the image (whatever its medium) and what we...

The House of Mirth captured the attention of a large portion of the reading public when it was published in a serial version for most of 1905 and then as a book in October of that year. Edith Wharton's story of Lily Bart topped the American bestseller list for four months and sealed the author's reputation as one of the major English-language fiction writers of her generation. Each of the four articles collected in this New Essays volume makes distinctive new claims for the historical, critical, and theoretical significance of Wharton's seminal work.