Wyniki wyszukiwania:

Crazy Horse, the Sioux leader, engages General Crook, Indian fighter, in a confrontation that results in the death of Crazy Horse. The critics on David Wiltse's plays: THE GOOD GERMAN: "David Wiltse's THE GOOD GERMAN, which made its New Jersey premiere last week at the Madison theater, is an extraordinary piece of writing ... Simply put, it's best play I've ever seen there and quite certainly the most powerful drama seen in North Jersey all year ... Wiltse blends the dramatic and moral elements like a master chemist." -William Westhoven, The Daily Record A MARRIAGE MINUET: ..". the kind of...

A golf magazine is the setting for David Wiltse's farce on the intrigues of the office. "The editorial office of a golf magazine seems an unlikely place for a comedic farce. But it makes perfect sense in the context of SCRAMBLE By David Wiltse ... Actually, SCRAMBLE , isn't about golf at all; it's about a very typical small office and the Byzantine romantic intrigues that go on there. The fact that this office houses a golf magazine is merely secondary to the struggles over sex and power that are the real focus of the staff's interest. The play's title, SCRAMBLE , does owe a nod to a...

A MARRIAGE MINUET tells the witty tale of two married couples who know the temptations of monogamy all too well. For these middle-class suburbanites, flirtation leads to temptation, and temptation leads to infidelity. Five sophisticated characters provide a theatrical glimpse into the never-ending dance that we call marriage. "Go see this play ... This is the kind of play that could change your life ... I loved this play ... here's something I really like: art that is serious and sincere and tries to tell us something true and reform us and make us whole. That is what I liked about this play....

Based on a true story, SEDITION follows an innocent man accused of sedition during the war hysteria of World War I. "Passing Veterans Green on my way home from the Westport Country Playhouse last week, I was struck by the suddenly ambiguous statue of a World War I doughboy carrying his kit bag, helmet and rifle. Somehow, he looked burdened rather than glorious, more worn-out than brave. Surely the memorial hadn't changed; it was me. I was coming from David Wiltse's new play and my head was full of questions about America's participation in that tragic, famously unnecessary conflict. A...