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Russian-American poet Joseph Brodsky is one of the most celebrated poets of our time, preoccupied with the the nature and destiny of poetry in our era. This volume analyzes Brodsky's career in terms of key elegies and investigates the critical role of elegiac thinking in postmodernist poetics. In his elegies for poetic ancestors, family, friends, and the self, Brodsky demonstrates a concern for a paradox that is at the heart of modern elegiac poetry: attempting to find a basis for consolation in the face of death, but at length being compelled to discard traditional consolations, such as...

Mencken's stinging characterization of the American South as -the Sahara of the Bozart- reflects an understandable frustration with the narrow view of the canon of southern literature. With its focus on novelists, it largely ignores the works of all but a few poets--the Fugitives Robert Penn Warren, Allen Tate, and John Crowe Ransom, and the larger-than-life James Dickey among them. Invited Guest is the first anthology that attempts to reach beyond this small coterie to encompass the range and brilliance of twentieth-century southern poetry. Editors David Rigsbee and Steven Ford Brown have...

Mencken's stinging characterization of the American South as -the Sahara of the Bozart- reflects an understandable frustration with the narrow view of the canon of southern literature. With its focus on novelists, it largely ignores the works of all but a few poets--the Fugitives Robert Penn Warren, Allen Tate, and John Crowe Ransom, and the larger-than-life James Dickey among them. Invited Guest is the first anthology that attempts to reach beyond this small coterie to encompass the range and brilliance of twentieth-century southern poetry. Editors David Rigsbee and Steven Ford Brown have...

In an evocative blending of words and images, painter-photographer Carol Burch-Brown and poet David Rigsbee offer a depiction of trailers and their inhabitants. The understated imagery of Burch-Brown's 48 photos implies rather than proclaims the living conditions of these mobile-home dwellers, while Rigsbee's meditative, autobiographical essay parallels and illuminates the subjects and chronicles family histories with trailers.