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Familiar narratives about the nature of English modernism, "tradition," and "periodization," together with the "literary" character of English art from the mid-nineteenth to the early twentieth centuries, are abandoned in this innovative and important book. In their stead, David Peters Corbett proposes a new way of looking at this painting from the Pre-Raphaelites to the Vorticists.

Arguing that art history has been too reluctant to confront the fundamental question of how and what the consistency and application of paint signifies, Corbett investigates the work of English...

• Features a transatlantic group of scholars considering the impact of this relationship on the history of art in both nations
• Offers a set of new approaches, and much new material relating to the history of British and American art
• Situates the history of British and American art in the context of recent scholarship, offering a new reading of this key artistic interaction
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Familiar narratives about the nature of English modernism, "tradition," and "periodization," together with the "literary" character of English art from the mid-nineteenth to the early twentieth centuries, are abandoned in this innovative and important book. In their stead, David Peters Corbett proposes a new way of looking at this painting from the Pre-Raphaelites to the Vorticists.

Arguing that art history has been too reluctant to confront the fundamental question of how and what the consistency and application of paint signifies, Corbett investigates the work of English...